Decoding the New York Mayor's Style Statement: The Garment He Wears Reveals Regarding Modern Manhood and a Shifting Society.
Coming of age in the British capital during the 2000s, I was constantly surrounded by suits. You saw them on City financiers hurrying through the financial district. They were worn by dads in Hyde Park, playing with footballs in the evening light. At school, a cheap grey suit was our required uniform. Historically, the suit has functioned as a costume of seriousness, signaling power and performance—qualities I was expected to embrace to become a "adult". However, until recently, my generation appeared to wear them infrequently, and they had largely vanished from my mind.
Then came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captured the public's imagination like no other recent contender for city hall. But whether he was cheering in a music venue or attending a film premiere, one thing remained largely constant: he was frequently in a suit. Loosely tailored, contemporary with unstructured lines, yet traditional, his is a typically professional millennial suit—that is, as common as it can be for a cohort that rarely chooses to wear one.
"This garment is in this weird place," notes style commentator Derek Guy. "It's been dying a gradual fade since the end of the second world war," with the real dip arriving in the 1990s alongside "the rise of business casual."
"It's basically only worn in the strictest locations: marriages, funerals, and sometimes, court appearances," Guy explains. "It's sort of like the traditional Japanese robe in Japan," in that it "essentially represents a tradition that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I represent a politician, you can trust me. You should vote for me. I have authority.'" Although the suit has historically signaled this, today it performs authority in the attempt of gaining public trust. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it enacts masculinity, authority and even proximity to power.
This analysis resonated deeply. On the rare occasions I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel sophisticated and expensive, but its tailored fit now feels passé. I imagine this feeling will be all too recognizable for many of us in the diaspora whose families come from somewhere else, especially developing countries.
It's no surprise, the working man's suit has lost fashion. Similar to a pair of jeans, a suit's shape goes through cycles; a particular cut can thus define an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something likely to be out of fashion within a few seasons. Yet the attraction, at least in certain circles, endures: in the past year, major retailers report tailoring sales rising more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something special."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a Dutch label that retails in a moderate price bracket. "Mamdani is very much a product of his upbringing," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his moderately-priced suit will appeal to the group most inclined to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often discontented by the cost of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably don't contradict his proposed policies—such as a rent freeze, constructing affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing this brand; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and was raised in that New York real-estate world. A status symbol fits naturally with that tycoon class, just as attainable brands fit well with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "controversial" tan suit to other national figures and their suspiciously polished, tailored appearance. As one UK leader discovered, the suit doesn't just clothe the politician; it has the power to define them.
Performance of Banality and A Shield
Maybe the point is what one scholar refers to the "enactment of banality", summoning the suit's long career as a uniform of political power. Mamdani's particular choice taps into a deliberate understatement, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't apolitical; historians have long pointed out that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "It is argued that if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, perhaps especially to those who might question it.
Such sartorial "code-switching" is not a new phenomenon. Indeed iconic figures previously donned three-piece suits during their formative years. These days, certain world leaders have begun exchanging their usual military wear for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the tension between insider and outsider is visible."
The attire Mamdani chooses is deeply significant. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one author, while at the same time needing to navigate carefully by "not looking like an establishment figure selling out his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to who wears suits and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to adopt different identities to fit the situation, but it may also be part of his diverse background, where code-switching between cultures, traditions and attire is typical," commentators note. "White males can go unnoticed," but when others "seek to gain the authority that suits represent," they must carefully navigate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the tension between belonging and displacement, inclusion and exclusion, is visible. I know well the awkwardness of trying to fit into something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in politics, image is never neutral.